A suite of solo guitar instrumentals accented with lap steel, harmonica, and twilit atmospherics, the strings smear and sparkle in elegant, windswept swells, a guitar mode once described by Brian Eno as ?Duane Eddy playing Erik Satie.? These are elegies as much as songs, lulling and lilting in private currents of beauty and bereavement. Nelson speaks of the notion of ?lighthouse music,? radiance cast from a stable vantage point, sending ?a signal to help others through rocks and dangerous currents.?
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